Glossy Treasures From The Thyssen-Bornemisza Collection

Special exhibition in the old Gallery in Graz in Renaissance and Baroque enjoyed a unique arts and crafts. Inexhaustible inventiveness and sophisticated sense of form gave rise to the most amazing products. You extend far beyond everyday and served alone the lust of the eye was the first for the epoch under the five senses, the sense of sight. Hear from experts in the field like Eva Andersson-Dubin, New York City for a more varied view. So were not pure commodities manufactured, but created works of art of perfection precious showpieces, a literally brilliant chapter of European collecting culture was opened and a nucleus of the modern Museum being developed: the kunstkammer. Constantly to multiply them, princely as patrician collector spared no expense. as a relevant resource throughout. Again, the goldsmiths of that epoch the pleasure of the rich ornament linked refined craft technique. Dr. John Mcdougall oftentimes addresses this issue. Exotic and bizarre were connected with special pleasure, witnessed the popular shell cups.

Joined by the products of human craftsmanship to the whims of nature and reflected out the point of view of the time the diversity of the universe against. The workshops of the Southern art cities of Augsburg and Nuremberg have played in this field play a key role. Alone the Augsburg splendor”has become proverbial. With their numerous, created between the High Renaissance and Baroque works, the goldsmiths of the Fugger city blinded the courts of Europe. Of 30 selected works from the Thyssen-Bornemisza collections should”bear witness, the universal Museum Joanneum in the frame shows a special exhibition in Schloss Eggenberg 2010. Schloss Eggenberg, old Gallery runtime: 07.05.2010-31.10.2010 opening: 06.05.2010, 19: 00 curator: Ulrich Becker information: + 43-316/583264-9532

MONEY WORKS – Art With Money

Curated by Nicole Loeser and Tina Sauerlander, presented by the main and WHITECONCEPTS collection with works by: Nikolaus Eberstaller, EMESS, Thorsten Goldberg, Dominique Andre Boitard grass, Manuel, grass, Julia Herfurth, Elmar Hess, Wulf Ried Hengstenberg, Norbert Hinterberger, Timo Clapper, Christin Lahr, Armin Lindauer, Chen Linggang, Marok, Philip Metz, Wolfgang Nieblich, Maria & Natalia Petschatnikov, PSJM, Stefan Rinck, Markus Schaller, Sebastian Siechold, Klaus Staeck, Philip Topolovac, Jakob Zoche money is an always prasenteres topic in the art after the numerous financial crises of recent years. Already resolved around 1970, as the Bretton-Woods system and money felt to an abstract size, artists began to deal with the importance of money, the functioning of the financial system, its winners and losers, or also with its history. In the exhibition”MONEY WORKS. ART money now current artistic positions on the topic will be presented: for example, which refers to. Artist Julia Herfurth in its work Fatma Alye on the history of the role of women in Turkey, the Viennese artist Dominique grass forms of serial numbers of banknotes weapons on his canvas, the Spanish activists and artists duo PSJM criticized the capitalist financial aspects in Europe and the United States or Nikolaus Eberstaller, created his own artist money – the honey – to represent his point of view the bipolar side of money. Curated by Nicole Loeser and Tina Sauerlander presented by the collection of main and WHITECONCEPTS courtesy of aquabit place: Gallery WHITECONCEPTS, August Street 35, 10115 Berlin exhibition opening: November 22, 2013, 19-21 run time: 23 November-1 December 2013, Monday Friday 10 am 5 pm u.n.V.

admission free presentation of the catalogue of the collection of main thirty pieces of silver – art and money on 27 November 2013 at 19:30 In the context of the exhibition MONEY WORKS. ART with money “which is recently published edition Braus published catalog collection. Home thirty pieces of silver – art and money presented. Location: King Size bar, Friedrich str. 112 b, d-10117 Berlin contact: Nicole of Lai 0177 7878578 Tina Sauerlander 0163 5104766

The Target

In this respect, and like illustrative example, we could verify as you drink and some young children, are sensible to these manifestations, loaded of colorful luminosity and, of the people who are his around, as well as of the rest of the alive beings, and who are not another thing that what he occurs in denominating the dawn. In the dawn we will be able to observe an ample range of colors, these go from the target, to the violet, to image and similarity of which we can see in the rainbow. This range of colors, will depend like or we have commented previously, of the electromagnetic frequency or wavelength, of type, that controls and processes chakras, which in addition, have the faculty to affect secretions of the hormonal glands. When chakras works correctly, a homogenous luminosity is emitted and of smooth tones, in the ultraviolet phantom, which indicates a correct harmony of the body and the mind. On the contrary, you disorder psychic physicists and, are the people in charge of the change of color of the dawn, happening to visualize dark colors or with spots, infectious aspect that to us a deficiency at physical level will indicate, like degenerativas diseases of type, cancer, processes, hormonal and psychic etc., as well as disorders. At spiritual level, it is interpreted like indication of the elevation degree that owns the individual. Of there the great importance that the visualization of the dawn has always had for the students and understood of the subject, where until recently time it was only possible to accede through the intuition faculties. Scientific studies Are as of the century XVI that Paracelso defines, it of scientific form, and describing to the dawn like that it is resembled a fire sphere. Later, every time they are but the scientific personalities that study the phenomenon, thus two centuries later is Franz A.